October 1st, 2007
Wintersleep - Weclome to the Night Sky
( Labwork, Oct. 2, 2007)
Back with their third album, and first with an actual title, East coast indie helmsmen, Wintersleep, are poised to turn some heads with the triumphant and varied Welcome to the Night Sky.
Coming out of the gate strong, this album definitely hits with a very effective one-two punch, as it is peppered with enticing and melodic tracks that dig their hooks in upon first listen, like album standout and lead-single “Weighty Ghost,” after which the rest of the release is then able to reel you in with its intricate and compelling layers.
Speaking of “Weighty Ghost” (previously featured here), there is just no stopping this track. Desperately addictive and uplifting, I’d go as far as to say that it alone is worth the price of admission. That said, there are plenty of other reasons to check this disc out, as there are very few misses to be heard. For instance, the smooth and trapping “Dead Letter & the Infinite Yes,” though it might not be as instantly gripping, is a perfect example of the second half of the aforementioned one-two punch dynamic, as it hypnotizes with Paul Murphy’s soothing and laid-back vocal delivery, encouraging you to hit repeat as you find yourself adrift in the song’s fluid melody. Not slouching in the up-tempo department either, Welcome to the Night Sky contains some seriously driven scorchers by way of songs like “Archeologists” and the stealthy second-half combo of “Astronaut” and “Oblivion,” a fierce and incendiary pairing, the latter of which sounds like a manic robot jamboree that merits some definite head nodding.
In fact, the material presented here is just so damn intoxicating that even the awkwardly mixed and at least 50% unnecessary “Murderer” (the strange echo on the drums had me convinced my speakers were blown) can’t detract too heavily from an otherwise diverse and well-crafted record.
All told, Welcome to the Night Sky is a sprawling and lush album that achieves its success by remaining firmly grounded in addictive pop sensibilities—a highly recommended gem from an East coast band easily perched at the doorstep of indie-greatness.
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Sample a few tracks from Welcome to the Night Sky at Wintersleep’s Myspace page before checking them out at the Horseshoe Tavern on Oct. 16, or buy the album digitally from Zunior here.
















October 4th, 2007 at 10:37 am
What makes “Murdered” 50% unnecessary? It’s the best track on the CD, hands down.
October 4th, 2007 at 11:10 am
That’s wicked that you think it’s the best track, as I’m a huge fan of the album, but “Murderer” didn’t resonate with me that much.
Given the strange drum echo and the fact that it was saddled with the unenviable task of following “Weighty Ghost,” I thought the meandering first half of the song was a bit lackluster. That said, even the “worst” song on this album is far better than the best that other releases have to offer.
October 4th, 2007 at 1:36 pm
I agree with you on the drum echo, certainly. I had the exact same thought - are my brand new speakers blown already?
But in my opinion, “Weighty Ghost” is the weakest track on the album, along with “Laser Beams.” However, “Weighty Ghost” is undeniably the most accessible, and will probably do the most in getting this album heard around the country. My opinion of the recorded version of “Weighty Ghost” probably has a lot to do with having seen the live version played countless times, in a completely different way. The producer completely changed the track around, most notably the drumbeat, which is incredibly subdued as compared to the way it was originally played live.
Such differences of opinion are the way of life! I respected and enjoyed your article, I just disagreed with “Murderer” being an unnecessary track. Good job on reviewing the album and hopefully introducing a few people to this album, which deserves more recognition that anything coming out of the Maritime provinces. I see these guys becoming “Broken Social Scene big.”
October 18th, 2007 at 12:42 pm
I grabbed this album a few weeks back, and I’m totally addicted, I wasn’t familiar with the band prior to this release, but it definitely makes me wanna backtrack. Love the variance this record offers, as you said. Great review, think I’ll be blogging about this record shortly, myself. Cheers!